Of his novels, Collins is best remembered for "The Woman in White" (1859), "No Name" (1862), "Armadale" (1866) and "The Moonstone" (1868). From the early 1850s he was a friend of Charles Dickens, who produced and acted in two melodramas written by Collins, "The Lighthouse" and "The Frozen Deep". In 1846 he was entered to read for the bar at Lincoln's Inn, where he gained the knowledge that was to give him much of the material for his writing. Wilkie Collins (1824-1889) was born in London in 1824, the eldest son of the landscape painter William Collins. This edition also contains notes, further reading and an appendix on stage dramatisations of "Armadale". John Sutherland's introduction illustrated how Wilkie Collins drew on scandalous newspaper headlines and on new technology particularly the penny post and the telegraph - to lend extra pace and veracity to his tale. She remains among the most enigmatic and fascinating women in nineteenth-century literature and the dark heart of this most sensational of Victorian 'sensation novels'. The character of Lydia Gwilt horrified contemporary critics, with one reviewer describing her as 'One of the most hardened female villains whose devices and desires have ever blackened fiction'. Her malicious intrigues fuel the plot of this gripping melodrama: a tale of confused identities, inherited curses, romantic rivalries, espionage, money - and murder. When the elderly Allan Armadale makes a terrible confession on his death-bed, he has little idea of the repercussions to come, for the secret he reveals involves the mysterious Lydia Gwilt: flame-haired temptress, bigamist, laudanum addict and husband-poisoner. This "Penguin Classics" edition is edited with an introduction and notes by John Sutherland. An innovative novel featuring an astonishingly wicked female villain, Wilkie Collins' "Armadale" was regarded by T.S.
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